It's a short suspenseful play that left me with an eerie feeling. The fight with the bureaucracy of communication, the inactivity of the law, and the darkness makes this a neat play. Frustrated with the busy signal, she seeks the help of the operator who connects her through to what she assumes is her husband's office phone. Henry avoided disagreeing with Leona to minimise her attacks. Leona's father, drugstore chain owner , disapproved because Henry was a poor high-school dropout, but one of Leona's mysterious illness attacks changed his mind. He can't, although he tells her that the results of a recent examination were very good.
Henry and Evans tried to cut Morano out of the business but Morano found out. An overheard train will cross the tracks and the cop on patrol always takes a break at that time. And not in the scary manner one would wish? She desperately tries to get back in touch with the police, but she is too late. Sorry, Wrong Number is an example of the horror genre, which elicits strong feelings of fear and dread. Cotterell blames Henry for this latest episode. This section contains 640 words approx.
Evans is horrified and refuses, but greed overtakes him and eventually he agrees. This has happened many times over the years and Mr. She is immediately overcome with grief as she recalls the events of ten years past. Henry approached him with the idea of stealing drugs from the company and selling them with the help of a gangster named. The Tales from the Darkside episode originally aired in 1987, and starred and Arthur Taxier as Katie and Bill Weiderman, with Rhonda Dotson as Katie's sister Dawn and Katherine Britton, Brandon Stewart and Nicole Huntington as the Weiderman children. Only the center section has lights.
Leona repeats the message from Evans. This story by Lucille Fletcher went on to be considered one of the greatest radio drama episodes. Katie immediately assumes the call came from her daughter Polly, who is away at boarding school, but a call to Polly proves otherwise. Fifty years before that, even though black and white television was relatively common, the big entertainment came from radio. Both women are predatory towards the main male character in their respective films. To view it, This is horror done right. Sally tells Leona 20 Dunstan was burnt down, three men were arrested, Waldo Evans escaped, and both Evans and Henry are being investigated.
In frustration, Leona hangs up but continues to worry about the unfortunate woman who is set to die. Sally also suffers in ways we can compare to Leona. Evans calls again and this time Leona demands to know why he keeps bothering her. This could be a good if a bit stagey. Stevenson, sits at home late one evening wondering why her husband has not come home from work yet. In telephoning Henry's office again, Leona is accidentally connected to a conversation in which two men are talking. Leona is horrified and calls the operator, demanding that the call be traced.
The victim is a woman, home alone, who lives near a bridge. In 1943 Sorry, Wrong Number first aired on the Suspense radio program. The calm Waldo Evans politely and slowly reveals the situation to Leona. None of the people she talks to will acknowledge that she is in any danger. They cannot hear her but she hears them plotting a murder. She calls a nurse's registry but they don't have anyone they can sent over at a moment's notice. But the operator doesn't understand what she means about being cut in on a conversation and refers her to the police.
In a flashback within a flashback, Henry tells that Leona had an attack when they fought over his looking for a new job. Her first impulse is to find anyone to help her track down the two would-be killers. Much like the original radio drama, this production of Sorry, Wrong Number is primarily a one-woman show with Mrs. What I found most interesting was its novel use of the relatively new invention of the telephone and operator service. Leona's father, drugstore chain owner J.
The game is up as the police have arrested Mr. Following protocol, the operators and police alike, listen to her without attempts to investigate her claims. Evans in on a deal. In a flashback, Alexander tells meeting with Henry about Leona's illness. Her mother died in childbirth and Leona grew up believing that she had a heart ailment. Henry and Leona move to New York, where Mr.
The two plainclothes detectives who have been following Henry close in on the phone booth. The murder must be disguised at a robbery. Then she calls her doctor, because she is afraid of being sick and alone at home. The problem is that the tension and originality have worn away over the years. Rhythm was also seen in montages where it served a different purpose.