His works are highly influenced by this time of service. For a few moments he considered asking her to his room, but instead he laughed and told her how back in college he'd almost done something very brave. A war story will become true if you keep telling it. Accuracy, however, is supposed to represent facts, bits and pieces of information that paint a picture of an event, untouched by opinion or attitude. He starts off by naming who is his friend was that died, which is Curt Lemon. Consequently, we want that story to have happened. If nothing is ever absolutely true, then even that statement cannot be absolutely true.
Jensen repeatedly tells him to relax, but Strunk remains petrified. These stories within the larger story are not arranged chronologically. Kiowa and Mitchell Sanders carried the baby buffalo and dumped it into the village well. It really drives home the point because war is such a big part of life today in which it is always going on. While there, the men hear strange noises, such as xylophones, wacked-out gook music, and a cocktail party. This definitely added more reality to the movie.
Yes, our face just contorted too. When O'Brien says that the war isn't moral, he doesn't mean that none of the people in it are moral. Revenge could be dangerous, because all of the troops carry guns. He explains the mysterious feeling of being alive that follows a firefight. Roles shift fluidly at war.
Like a killer forest fire, like cancer under a microscope, any battle or bombing raid or artillery barrage has the aesthetic purity of absolute moral indifference - a powerful, implacable beauty - and a true war story will tell the truth about this, though the truth is ugly. He is telling several stories in different points of views, of things that happened to him and his buddies while at war and on how you or someone else might believe or not believe a true war story. Instead, it's made up of feelings, ideas, and experiences. The third day after crossing a river into the mountains, Lemon and Rat Kiley were fooling around throwing smoke grenades back and forth near a trail leading into the jungle. Because the stories are set in dissimilar environments, the way in which the authors depict violence is geared to the setting in which it occurs. He means that the war itself destroys morality. After all, after pledging the truth of the story from the very first line, he undercuts that claim by telling the reader at the last possible moment that none of the events in the story happened.
All the while the baby water buffalo was silent, or almost silent, just a little bubbling sound where the nose had been. It wasn't a war story. That was the first story O'Brien had told. According to O'Brien, the truth of a story depends solely on the audience hearing it told. All you can do is tell it one more time, patiently, adding and subtracting, making up a few things to get at the real truth. They toss smoke grenades back and forth to each other.
Well, most of the time we add bunch of things or change a true story to make it sound genuine to our audience. He tells about how his friend dies in three different views. She didn't understand how men could do those things. Order blends into chaos, hate into love, ugliness into beauty, law into anarchy, civility into savagery. Lemon was smiling and talking to Kiley one second and was blown into a tree the next.
He wants to teach his readers to do better: to ask questions, not to believe too easily. In the morning when I woke up, I looked out of window and saw snow-covered trees and buildings, I could not have been happier. Chimes, xylophones, voices at a fancy cocktail party, a glee club, a choir. We live in a judgmental and complex world where lying has become a part of our daily lives. Something about this story catches at us on a gut level. That's a true story that never happened. His face was Brown and shinny.
But O'Brien can't say what he's thinking to the woman, so all he or you can do is tell the story again, modifying it, making up new things to try to get to the truth. So they pack up their gear and head down the mountain, where their colonel asks them what they heard. Mitchell Sanders- Tells O'Brien the story of the men on the listening post operation. The point of the novel is to make the reader question the reliability of not just the narrator, but the idea of having just one truth. This is an interesting factor because at many times it affects us in a different way and can develop us as an individual.
For this reason, in a true war story, nothing is absolutely true. We all believed it was true until, once again, O'Brien reminded us that is was all fictional. He shot away -chunks of meat below the ribs. The primary examples are the paragraphs that begin and end the chapter. Rat shot it in the nose. Identifying varying methods of storytelling is also a way for O'Brien undercut his own narrative.
Then suddenly a noise struck and separately curt stepped from the shade in the sunlight. And even if it did happen, it didn't happen in the mountains, it happened in this little village on the Batangan Peninsula, and it was raining like crazy, and one night a guy named Stink Harris woke up screaming with a leech on his tongue. Spielberg included parts that did not occur or exclude parts that did occur in order to make their stories seem more credible. In short, a relationship to an experience affects what truth is seen by the listener and storyteller. After rousing him out of bed, Lemon insisted that he had a toothache, and forced the dentist to remove one of his perfectly good teeth. Rat Kiley tries to feed it but it does not eat, so Kiley steps back and shoots the animal in its knee.