Unfortunately, as the writer realizes, all good things must come to an end and at the end of this blackberry patch is the sea. This may not be her very best work but I'd guess that most reviewers would prefer that it had been written rather than not. This proves to be quite ironic as the tone of the poem is one of solitude and loneliness. This saddens the reader because it instantly creates the image of it happening to Plath. In the guise of a vengeful bride of Dracula, she kills off the real and the imagined father, a monstrous, self-damning double murder intended to set her free. Theirs is the only voice, protesting, protesting. All of these complications were being thrown at her in every direction upon birth up until death.
Ironically it is full of life and color. However the second verse seems to show signs of things that seem to upset her. I love this poem for the way it is continually drawn beyond its subject, toward wonder. The lushness of berries leads her to a bush so ripe that it is decked in flies, hellish insects whose translucent wings stand out like the sheer panels of an oriental screen. In the introductory sentence of the first stanza, Nobody in the lane, and nothing, nothing but blackberries', the use of repetition and double negatives shows the monotony of her life and a sense of emptiness.
Her work continues to influence the writings of a new generation of feminists. From between two hills a sudden wind funnels at me, Slapping its phantom laundry in my face. Heany carries on his childish theme throughout by introducing references to children stories like Bluebeard and how his hands were sticky with blood. It could also have connitations with one of her memories. Plath is often celebrated for her extreme hatreds, for her acid satires of conventional life. Plath entered a productive period in 1962, when a renewed vigor and daring took her into ever-deepening levels of psychic expression.
When we look more closely into poetry. The poet-speaker, livid with rage and self-pity, envisions a third reclamation from death, with crass, peanut-eating gawkers pushing to get a look at the unwrapping of her body. The family returned to London in December 1959, months before the birth of daughter Frieda Rebecca and a subsequent move to a Devon manor house. Free Online Education from Top Universities Yes! I come to one bush of berries so ripe it is a bush of flies, Hanging their bluegreen bellies and their wing panes in a Chinese screen. The first stanza of the poem Blackberrying discusses Sylvia Plath being unhappy for reasons unknown. But when the bath was filled we found a fur, A rat fungus, glutting on our cache.
She talks about a blood sisterhood, how they have bonded together. The only man that had loved her as a young girl passed at an early age. This poem is composed of three stanzas. With the imagery you can almost sense death and depression. That life will never change for the better, it will be stagnate. In this context, Plath also makes a reference to the tradition of the Eucharist, in which the bread and wine consumed by the congregation in a church at Communion is said to be the flesh and blood of Christ.
The final verse is the most depressing. In the first stanza, Plath describes the path along which the blackberry bushes grow, and where her blackberry picking expedition has brought her. The fact that the flies are crowding among the blackberries could also be a reference to how rotten meat, the remnants of dead bodies, often attract flies. The woman discovers that nature is not always nice but can be cruel and harsh. They ride air currents as gracefully as fly ash blown from a fire, a blended image of cremation and release.
The high, green meadows are glowing, as if lit from within. But she was also capable of turning her titanic energies toward an expression of just how fabulous it is to be alive in the world. The line cacophonous flocks ends with an ellipsis, this means that there is a pause and she is thinking. It seems quite simple whenever first read. It means to stuff or in this case stuffing, the sound of it when spoken is how he has created imagery. The first-person mother evolves into a death-dealing arrow, the self-destroyer.
Just as Plath creates a space for the blackberries, they too do not hesitate to occupy that space. In line 13, the speaker doubts that the alley-shaped hedges will allow her a glimpse of the sea, an implication of spiritual release in the afterlife. I do not think the sea will appear at all. She thinks there is a sea at the end of the path, but she cannot see it. The notion that walking down a winding lane in search of blackberries and the sea can be quite uninteresting. She also tried to kill herself on sleeping pills while she was just a girl in college. The high, green meadows are glowing, as if lit from within.